CREDITS
About the Authors
Ethnomusicologist and cultural anthropologist with interests in Japanese performing arts, ritualistic music traditions of medieval origin, and comparative study of music transmission among Asian countries.
Link to full bioIntermedia composer and pianist with scholarly interests in Japanese traditional performing arts. Co-author with François Rose of Orchestration in Gagaku Music.
Composer with a passion for orchestration and traditional Japanese culture.
Link to full bioThe project is a cooperation of the Research Institute for Japanese Traditional Music at Kyoto City University of Arts, the Department of Music at Stanford University and the Kongō School of Noh.
Principal Collaborators and Advisors
KONGŌ Hisanori, Iemoto of the Kongō School, Kyoto
UDAKA Michishige, Kongō School, Kyoto
Thomas Hare, Princeton University
Monica Bethe, Otani University, Kyoto
Diego Pellecchia, Kyoto Sangyo University
Rebecca Teele Ogamo, Kongō School
AKAMA Ryo, Ritsumeikan University, Art Research Center,
Kyoto
Website Development and Design
Center for Interdisciplinary Digital Research (CIDR), Stanford
University Library:
Glen Worthey
Scott Bailey
Peter Broadwell
Javier de la Rosa
Juan Pablo López Franco
Simon Wiles
Vijoy Abraham
Translation of Noh Plays
Rebecca Teele Ogamo, Kongō School
Editor
Ellen O'Connell Whittet, University of California, Santa Barbara
Additional Collaborators
NAKAMURA Itsuko, American Consortium for Japanese
Studies
TAKAHASHI Yoko, Kyoto City University of Arts
David Yu, Center for Teaching and Learning at the
University of the Pacific
Performers
Academic Examples
Dancer: KONGŌ Tatsunori
Singers: UDAKA Tatsushige,
UDAKA Norishige, ARIMATSU Ryōichi
Taiko: NAKATA Hiromi
Kotsuzumi: HAYASHI Yamato
Ōtsuzumi: TANIGUCHI Masatoshi
Nohkan: MORITA Yasuyoshi
Okina
Okina performer: KONGŌ Hisanori (Kongō School)
Sanbasō performer: SHIGEYAMA Sengorō (Ōkura School)
Senzai: SHIGEYAMA Tatsumasa (Ōkura School)
Kōken: HIROTA Yukitoshi (Kongō School)
Kōken (second): TESHIMA Yukihiro (Kongō School)
Kōken: SHIGEYAMA Akira (Ōkura School)
Kōken (second): YAMASHITA Moriyuki (Ōkura School)
Taiko: MAEKAWA Mitsunori (Komparu School).
Ōtsuzumi: KAWAMURA Masaru (Ishii School)
Kotsuzumi: KICHISAKA Ichirō (Ōkura School)
Kotsuzumi (second): UEDA Atsushi (Ōkura School)
Kotsuzumi (second): KICHISAKA Rinpei (Ōkura School)
Nohkan: MORITA Yasuyoshi (Morita School)
Jiutai: (Kongō School, back row from right)
IMAI Katsunori,
IMAI Kiyotaka (leader),
TANEDA Michikazu,
TESHIMA Kōji,
(front row from right)
YAMADA Isumi,
UDAKA Tatsushige,
SHIGEMOTO Masaya,
SŌMYŌ Tadasuke
Matsu Take Furyū (Furyū part)
Furyūsenzai: SHIGEYAMA Shime (Ōkura School)
Matsunosei (the spirit of pine tree): SHIGEYAMA Shigeru (Ōkura School)
Takanosei (the spirit of bamboo tree): SHIGEYAMA Motohiko (Ōkura School)
Jiutai: (Ōkura School, from right)
SHIGEYAMA Ippei,
SHIGEYAMA Sennojō,
SHIGEYAMA Toramasa,
MATSUMOTO Kaoru,
SHIMADA Hiromi,
MASUDA Hiroki,
IGUCHI Tatsuya,
SUZUKI Minoru
Takasago
(with special kogaki variation named kaikō, nagashiyatsugashira, shichigosannodeha, and watamashi)
Shite: KONGŌ Tatsunori (Kongō School)
Shitezure: UDAKA Norishige (Kongō School)
Waki: HŌSHŌ Kin’ya (Hōshō School)
Wakizure: HŌSHŌ Naoya (Hōshō School)
Wakizure: KOBAYASHI Tsutomu (Hōshō School)
Aikyōgen: SHIGEYAMA Ippei (Ōkura School).
Taiko: MAEKAWA Mitsunori (Komparu School).
Ōtsuzumi: KAWAMURA Masaru (Ishii School)
Kotsuzumi: KICHISAKA Ichirō (Ōkura School)
Nohkan: MORITA Yasuyoshi (Morita School)
Jiutai: (Kongō School, back row from right)
IMAI Katsunori,
IMAI Kiyotaka (leader),
TANEDA Michikazu,
TESHIMA Kōji,
(front row from right)
YAMADA Isumi,
UDAKA Tatsushige,
SHIGEMOTO Masaya,
SŌMYŌ Tadasuke,
Kōken: HIROTA Yukitoshi
Kōken (second): TESHIMA Yukihiro
Hashitomi
Shite: KONGŌ Tatsunori
Waki: ARIMATSU Ryōichi
Kyōgen: SHIGEYAMA Shime
Kotsuzumi: NARITA Tatsushi
Ōtsuzumi: TANIGUCHI Masatoshi
Nohkan: MORITA Yasuyoshi
Jiutai: UDAKA Michishige, Leader
MUKAI Hiroki
SHIGEMOTO Masaya
TANAKA Toshifumi
TANIGUCHI Masahiko
TESHIMA Kouji
TESHIMA Yukihiro
YAMADA Isumi
Kōken: HIROTA Yukitoshi
Stage assistant: SOUMYOU Tadasuke
Kokaji
Shite: UDAKA Tatsushige
Waki: ARIMATSU Ryōichi
Wakizure: HARA Riku
Kyōgen: SHIGEYAMA Shime
Taiko: MAEKAWA Mitsunaga
Kotsuzumi: NARITA Tatsushi
Ōtsuzumi: TANIGUCHI Masatoshi
Nohkan: MORITA Yasuyoshi
Jiutai:
TANEDA Michikazu, Leader
HIROTA Yukitoshi
IMAI Katsunori
SOUMYOU Tadasuke
TANAKA Toshifumi
TANIGUCHI Masahiko
TESHIMA Kouji
UDAKA Norishige
Kōken: YAMADA Isumi
Stage assistant: MUKAI Hiroki
Recording
Academic Examples: Music
Sound: KAWASAKI Yoshihiro,
FUKUMIYA Kiyoaki, INOUE Hifumi, Kyoto
Technical Office and Design Lab NADI
Camera: YAMAJI Masanori, NAGAI Ayako,
OKADA Kota, from Ritsumeikan University Art Research
Center
Academic Examples: Dance
Sound: Prof. NISHIURA Takanobu,
FUKUMORI Takahiro, IKEFUJI Daisuke,
MIZUONO Tomoyuki from Ritsumeikan University, College
of Information Science and Engineering, Department of Media
Technology
Camera: YAMAJI Masanori, OKADA Kota,
MATSUSHIRO Takanobu, from Ritsumeikan University Art
Research Center
Hashitomi and Kokaji Plays
Camera: NEMOTO Taro,
SHIMIZU Motomi.
Sound: FUKUMIYA Kiyoaki, INOUE Hifumi,
Kyoto Technical Office and Design Lab NADI
Okina and Takasago Plays
Director: KONGŌ Hisanori (KCUA)
Stage Manager: NOMURA Kenichi (KCUA)
Stage lighting: TONOMURA Yūichirō (KCUA)
Stage set up: MAEHARA Kazuhiko, OTANI Midori (Kyoto Butai)
Camera: HIGASHI Masako (KCUA),
KŌNO Aiko (KCUA),
Aymen Chaabane.
Sound: YAMAGUCHI Tomohiro (KCUA),
Producer: FUJITA Kuniko (KCUA)
Composition of Kaiko verses: YAMANAKA Reiko (Hosei University)
Supervisor: FUJITA Takanori (KCUA)
Postproduction
Sound
KAWASAKI Yoshihiro,
Robert Bassett, Recording Studio at the University of
the Pacific
Video
Jason Alarcon
SPONSORS
Freeman Spogli Institute for International Studies, Japan Fund, Stanford
University;
Stanford University Library, Center for Interdisciplinary Digital
Research (CIDR);
Stanford University, Department of Music;
Research Center for Japanese Traditional Music, Kyoto City University of
Arts;
Stanford University, Shenson Family Fund;
Stanford Center for East Asian Studies;
Hosei University, The Nogami Memorial Noh Theater Research Institute;
Ritusmeikan University, Art Research Center;
University of the Pacific
SPECIAL THANKS
TOKUMARU Yoshihiko
YUASA Joji
YAMANAKA Reiko
TAKAHASHI
Terumi