Form-Appendix
A model for the two-act plays showing shōdan commonly associated
with particular dan.
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Waki Enters (with tsure if present)
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Entrance music:
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Shidai ,
Issei ,
Nanoribue
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Entrance chant:
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Shidai ,
Issei , but
skipped if Nanoribue was played as entrance music.
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Spoken self-Introduction:
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Nanori
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Travel chant:
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Michiyuki |
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Arrival at destination annoucement:
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Tsukizerifu |
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Shite Enters (with tsure if any)
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Entrance music
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Shidai ,
Issei
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Entrance chant:
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Shidai ,
Issei
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Tri-part descriptive or lyrical passage:
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Sashi, Sageuta,
Ageuta
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Dialogue
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Dialogue
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Mondō
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Narrative:
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Kakeai
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Preliminary recitative:
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Kakaru
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Recitative:
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Sashi
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Reading of a letter:
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Fumi
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Lament:
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Kudoki
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Shite Performs
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Kusemai
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Shidai-chant, Issei-chant, a short dance such as an Iroe mai,
Kuri,
Sashi,
Kuse
(dance to text)
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Shite Exits
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Discussion:
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Mondō
or
Rongi
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Exit music:
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Raijo ,
Haya-tsuzumi, ...
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Waki Waits
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Waiting chant:
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Machiutai
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Shite Re-enters
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Entrance music:
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Issei ,
Hayafue, Deha, Sagariha, or Obeshi
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Entrance chant:
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Issei
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Dialogue
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Mondō,
Rongi
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Shite Performs
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Instrumental dance:
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Jonomai,
Maibataraki ,
Gaku, Hataraki-goto...
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Shite Exits
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Kiri
(dance to text)
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